Samia

New York-based singer/songwriter Samia Finnerty’s debut album, The Baby, is about learning how to be yourself, by yourself. Embarking on her first tours––far away from friends and alone in green rooms across the country––she began to untangle just how much of her own identity had been created by those she held close. Each of the twelve songs that make up The Baby, due this fall via Grand Jury Music, find Samia holding up her relationships as a mirror, reflecting her own truths and learning how to show up for herself when there’s no one else around.

The result of this introspection is an album that is bold and authentic, philosophizing while surgically examining the mundane. On whiskey-tinged standout “Big Wheel,” she provides a status report on those closest to her, checking in on a liar in Montana and an old friend in Japan who just bought new shoes. The breathtaking “Stellate” finds her grappling with power imbalance and a fear of confrontation: “you buy me a big bucket/and I scream into that/and when it overflows you want your money back.” She laments the closing of downtown East Village haven St. Dymphna’s, facetiously boasts getting “Fit and Full” off apple cider vinegar and kale and threatens to get fully naked in a hot restaurant. She vacillates between humorous and harrowing often within a single line, a skill born from growing up with the internet and all of its simultaneous horrors and pleasures. Each song is centered by Samia’s incredible voice, which effortlessly glides between campfire intimacy and 90’s rock panache